Eulogies – Two Can Play (ft. Nikki from Silversun Pickups)

Here’s a lovely song for a lovely day (espically when that day is my daughter’s 7th b-day 🙂   This sounds like a mild summer day, laying on grass and making shapes out of clouds.

This song from Eulogies can found on the forthcoming EP due out October 7th, followed by a full length titled, “Here Anonymous” in Spring 09.

Eulogies – Two Can Play (ft. Nikki from Silversun Pickups)

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of Montreal – Nonpareil of Favor

Latest release from their fortch coming album, “Skeletal Lamping”, which is due out October 7th, 2008.

last.fm bio:

of Montreal (formed in 1997) are an indie pop band from Athens, Georgia, United States, fronted by Kevin Barnes.

They were among the second wave of groups to emerge from The Elephant 6 Recording Company and the group has a style that is typical of many Elephant 6 bands due to their interest in combining musical experimentation with the basic tenets of pop i.e. catchy melodies and sing-along choruses. The band’s style has been influenced by conventional indie pop, psychedelic music, vaudeville and music hall on their earlier releases and by afrobeat, funk, krautrock and reggae on their recent releases.

The band’s style has been known to change between albums. At first, the band embraced a more simple, quirky, lo-fi indie pop sound, which occasionally bordered on twee pop. The band was created by Kevin Barnes and named after a failed romance with a woman from Montreal, though the story changes in various interviews. Barnes was the only member of the “group” prior to his relocation to Athens, Georgia. There, he met Derek Almstead, later of Circulatory System, M Coast, Elf Power etc., and Bryan Poole, who also performs as The Late B.P. Helium.

Together, they recorded their first album, Cherry Peel, as well as The Bird Who Continues to Eat the Rabbit’s Flower and The Bedside Drama: A Petite Tragedy.
A number of singles and a re-release of The Bird Who Continues to Eat the Rabbit’s Flower occurred before the release of the band’s third album, The Gay Parade in 1999. With contributions from several members of the Elephant Six collective at the time, it also featured artwork from Kevin’s brother David Barnes, who would continue to do artwork for future albums.

This album marked that the band had moved to a fuller sound, which is also found on its follow-up, Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse. These two albums contain more narrative lyrics, as opposed to the rather personal lyrical matter of those preceding it, and often imitating the style of old 1950s radio plays.
After production on The Gay Parade began in 1998, Poole left the band to focus on his duties with Elf Power, another Elephant Six band from Athens. Barnes also recruited Jamey Huggins and Dottie Alexander, who had been performing together as Lightning Bug vs. Firefly, to play various instruments. Derek moved from drums to bass. The band was joined soon after by Marshmallow Coast’s Andy Gonzales.
Following the release of The Gay Parade, the band signed with Kindercore Records, who would release a number of singles and compilations. It wasn’t until 2001 that Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse would be released as a new album with original material. The album again featured contributions from across the Elephant 6 spectrum.

In 2002, Aldhils Arboretum was released, with a slightly different sound than its predecessors, as the songs were more directly structured. This album marks the beginning of the change in of Montreal’s sound, with more danceable rhythms than ever before, especially on the album’s closer, “Death Dance Of The Omipapas and Sons For You”. A successful tour ensued, including of Montreal’s first trip to the UK, along with a tour-only EP.
Kindercore Records would fold shortly after the release of Arboretum, and of Montreal’s status was also threatened. Kevin got married, and Andy and Derek left the band. Barnes, being uncomfortable with the unrest, as well as some divisions within the band, took to writing and performing their 2004 album Satanic Panic in the Attic mostly by himself. Released by Polyvinyl Records, it became one of their more successful efforts to that point. The 2004 tour saw The Late B.P. Helium (Bryan Poole) rejoin the band, with some bass played by Kevin’s partner Nina Barnes. The album marked a shift to an The sound shifted to something more electronic with traditional structures, to be further advanced in later albums and new songs. In their most recent releases and concerts, the band has fully embraced a sort of techno-pop glam image, with little of their previous incarnations surfacing. This style is featured in singles such as PlayDisconnect the Dots. The style would continue to evolve into 2005’s The Sunlandic Twins, which was even more a Barnes solo effort. Recorded in Athens, with the exception of one track recorded in Norway, it was a much more pronounced electronic album. The album became a success, mostly due to the singles “So Begins Our Alabee” and the MTV clip for “Wraith Pinned to the Mist (and Other Games)”.

The band released several collections of singles in early 2006. Barnes recorded most of the band’s 2007 release, Hissing Fauna, Are You The Destroyer?, by himself while living in Norway and Athens, Georgia. The switch to autobiographical themes of suicide, depression and isolation of the album was a direct product of his troubled personal life during that period.

of Montreal’s next album, Skeletal Lamping, is scheduled to be released in October 2008.

Lyrically, their style has changed dramatically throughout the years. In the beginning, many songs were narratives of personal or humorous situations, such as “Tim, I Wish You Were Born A Girl”, from Cherry Peel. This style, however, changed with The Gay Parade, where many songs involve small narratives surrounding invented characters (in songs such as “Jacques Lamure”, “The Autobiographical Grandpa”, “Mimi Merlot” and “Rose Robert”). Others act as extracts from fictional conversations (“Advice From a Divorced Gentleman to His Bachelor Friend Considering Marriage” and “Good Morning Mr. Edminton” as examples). With Aldhils Arboretum came a slight return to the previous writing style, except following more poppy, classical lyrical structures (such as the use of choruses, which are generally absent in the Gay Parade/Coquelicot years). This style continued throughout Satanic Panic and The Sunlandic Twins to some extent. On the band’s most recent album, Hissing Fauna: Are You the Destroyer?, the lyrics are much more personal than previously used, with songs detailing emotions within the speaker.

Another unique quality of the band is the fusion of ostensibly gloomy lyrics with bouncy, upbeat melodies and hooks. On Aldhils Arboretum, for example, the lyrics for tracks like “Doing Nothing” and “Old People in the Cemetery” focus on apathy, loneliness or death while being contrasted with cheerful instrumentation. Another example of this tendency is shown in their choice of covers; for example, Yoko Ono’s “I Felt Like Smashing my Head Through a Clear Glass Window” from The Bird Who Continues to Eat the Rabbit’s Flower.

True to the style of most Elephant 6 recording artists, of Montreal’s members have been in a variety of side projects and other bands:
The band itself has performed as the backing band for Marshmallow Coast on record and on tour.

My First Keyboard was the pseudonym used by Dottie Alexander to release the song “The You I Created” on the Kindercore singles club. of Montreal acted as her backing band.

Kevin Barnes did a comedy tour with his wife, Nina, and his brother, David, called “A Pollinaire Rave”.
Jamey Huggins released an album under the name James Husband, which featured a cover of The Beatles’ “We Can Work it Out”.
Bryan Poole has a solo career as The Late B.P. Helium.
Kevin Barnes has recently been collaborating with Andrew VanWyngarden from MGMT, on a project called Blikk Fang (formerly Ocelot Fang).
Derek Almstead has worked with many artists as a musician and engineer including his collaboration with Andy Gonzales – M Coast, Elf Power, Circulatory System, and many more.
Kevin Barnes played keyboard in a song on Bright Eyes’ album Letting Off the Happiness.
The song “Wraith Pinned to the Mist (And Other Games)” can be heard on radio and television commercials with words changed for an advertisement for Outback Steakhouse. Similarly, their song “Every Day Feels Like Sunday” was used in television commercials for NASDAQ and Garmin GPS systems.

of Montreal – Nonpareil of Favor

Unkle – Can’t Hurt (ft Gavin Clark)

This track is taken from Unkle’s latest release, “End Titles… Stories for Film”, which was released July 7th in the UK.

myspace info:

End Titles… Stories For Film

This summer sees the return of UNKLE, as they release ‘End Titles… Stories for Film’, a collection of eclectic recordings from UNKLE and various collaborators that were inspired by the moving image in the last two years since War Stories.

For this release, UNKLE have teamed up with Josh Homme (Queens of the Stone Age), Black Mountain, Gavin Clark, Joel Cadbury (South), James Petralli from White Denim, War Stories producer Chris Goss, Dave Bateman and James Griffith, Mike Lowry and Matt Pierce (from UNKLE’s touring band).

Highlights on this new release include ‘Heaven’ and ‘Blade in the Back’ which was featured on Spike Jonze’s skate video ‘Fully Flared’, as well as being the opening and closing tracks from ‘Odyssey in Rome’, a documentary on director Abel Ferrara which UNKLE wrote the entire score for. The release also features the highly anticipated ‘Trouble in Paradise’, a full length version of UNKLE’s track from the BMW commercial that aired in the UK.

‘End Titles… Stories for Film’ will be released on 7th July in the UK and Europe. The North America summer release date will be announced soon.

Track Listing for new LP

End Titles… Stories for Film

1. End Titles
2. Cut Me Loose (feat. Gavin Clark)
3. Ghosts
4. Ghosts (String Reprise)
5. Kaned and Abel
6. Blade in the Back (feat. Gavin Clark)
7. Synthetic Water
8. Chemical (feat. Josh Homme)
9. Nocturnal (feat. Chriss Goss, James Petralli and Robbie Furze)
10. Cut Me Loose (String Reprise)
11. Against the Grain (feat. Gavin Clark)
12. Even Balance
13. Trouble in Paradise (Variation on a Theme)
14. Can’t Hurt (feat. Gavin Clark and Joel Cadbury)
15. 24 Frams
16. In a Broken Dream
17. Clouds (feat. Black Mountain)
18. Black Mass
19. Open Up Your Eyes (feat. Abel Ferrara)
20. Romeo Void
21. Heaven (feat. Gavin Clark)
22. The Piano Echoes

Unkle – Can’t Hurt (ft Gavin Clark)