DJ Cam – La 4eme Dimension

Here’s a cool down tempo jam for the after party — from Frenchman DJ CAM (aka Laurent Daumail).   This is from his last album released in 2007 called “Lost and Found”

From Last.fm:

Parisian hip-hop devotee Laurent Daumail is one of a few but growing number of French artists updating hip-hop for the chill-out crowd, drawing on the beats’n’samples groundwork of producers such as Rakim, DJ Premier, and Prince Paul and combining it with broad, impressionistic strokes of dub, jazz, and soundtrack-y ambience. Like countrymen the Mighty Bop and la Funk Mob, Cam is stylistically closest to Mo’Wax artists such as DJ Shadow and DJ Krush; minimalist, downbeat instrumental hip-hop built from obscure samples and stomp-box turntable accompaniment, bent and twisted into new, artfully arranged compositions.

His debut, 1994’s Underground Vibes, was released on the tiny French label Street Jazz and was followed by a live recording for the Inflammable imprint (one of only a few “live” recordings in a genre so reliant on the temporal concessions of the recording studio). Dubbed Underground Live, the album featured performed extrapolations of many of the tracks from his debut, as well as a few new and improvised tracks. Now nearly impossible to find, those first two albums were reissued in America by Shadow Records, packaged together as the single-CD priced Mad Blunted Jazz (particularly useful since acquiring both on import could run more than 50 dollars!).

Although Cam’s music has found little acceptance in his home country, audiences in the U.K., Japan, and America have begun picking up on his style. In 1996 Cam was featured on, among many others, the sprawling Mo’Wax compilation Headz 2, remixed tracks for such artists as Tek 9 and la Funk Mob, and most recently collaborated on live and in-studio projects with Snooze and DJ Krush (he co-wrote a few tracks on the latter’s 1997 Mo’Wax release, Mi Sound).

DJ Cam – La 4eme Dimension

From myspace:

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2008 !!!!!!!!! DJ CAM IS WORKING ON HIS NEW LP ” SEVEN” .HIS REAL NEW STUDIO ALBUM SINCE ” SOULSHINE ” IN 2002 . “SEVEN” WILL BE THE FOLLOWING OF ” SUBSTANCES ” RELEASED IN 1996 WORLDWIDE BY SONY . DJ CAM IS WORKING ON SOME TRACKS WITH FINK , CHRIS JAMES FROM STATELESS , INLOVE , MC EIHT ……. ************************************************************************

Milique – Blame it on me

Doesn’t this track just throw you back to the days of 90’s Trip Hop. Digging this track with the dissonant piano chords over some rough electronics beats and distortion.

Trip Hop group Milique are from Melbourne, Australia and are made up of James Murfet & Roni Shewan.

Bio from myspace:

milique is james murfet & roni shewan. it’s trip hop, it’s simple; and maybe you can dance to it. expect soothing minimal lows, happy grooves, bass heavy angst and a bit of fun.

james has been hacking around with music and computers since the 90’s. one-time industrial act, james has chilled over the years and now enjoys making downbeat, trip-hop and a bit of minimal/techy stuff. in milique he plays keys and clicks a mouse occasionally. check out his website

roni’s sweet but powerful voice has unpretentiously been rockin’ the melbourne scene in a variety of genres for a number of years. her sincere songwriting and jazz-inclined vocal style soars full flight in milique. check out her myspace.

Milique – Blame it on me

Logan Lynn – Feed Me To The Wolves

Ok, this track just floored me the first time i heard it (actually, i saw it / heard it since it was a music video on LOGO). Anyway, Logan Lynn is from PORTLAND, Oregon and has a great emotronic sound to his music. This particular track is taken from his last ep titled, “Feed Me To The Wolves EP

bio from last.fm:

If the Land of Misfit Toys elected a team of cultural ambassadors, Logan Lynn would be its poet laureate. In Portland’s pulsating music scene, he occupies a singular position- an emo prophet with a penchant for electronic beats, preaching the Good Word to drug-damaged crybabies.

For the past decade, Logan has been writing and recording his own music. In 2000, he released his debut album, Glee, a blissful, sex-drenched romp through some emotionally treacherous territory. Produced by Pfog, heavy themes of religion, sexuality and identity played out alongside upbeat grooves and smiley-face rhythms. One critic said it “put the ‘disco’ back in discomfort.” That blend of spleen-venting lyrics and “Let’s dance!” optimism owes a lot to Logan’s unique, mildly scary upbringing.

Homeschooled in a fundamentalist Christian household, he was completely isolated from popular music. (Let’s just say the tagline “I Want My MTV” had especial resonance for this 80s baby.) Escape came in the form of the mid-90s underground rave scene, deejaying for tweaked-out teenagers in the Midwest, and later moving to the West Coast to pursue a degree in art school. All this helps to account for the leitmotifs threaded through much of his music: sex, drugs and Jesus.

His self-titled sophomore effort came out in 2006, using his earlier work as a springboard for exploring fresh sonic territory. He collaborated with several Portland artists on some truly radical music videos- Think the backroom of a bathhouse as reenacted by Ken dolls. The album release coincided with a much-praised performance at San Francisco’s all-leather Folsom Street Fair. To retool a phrase from the aforementioned music critic, he puts the ‘mo back in emo.

Logan Lynn – Feed Me To The Wolves

Here’s the video for Feed Me To The Wolves:

httpv://www.youtube.com/watch?v=2MHlblyBhOI&feature=related

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