Killer intro and takes a bit of a Miss Kittin / Peaches approach to the vocals till the chorus, where it gets much more melodic. Think in terms of Disco Punk.
A bit of bootleg action on this. It’s got depth and groove and of course the vocals of Michael. In Sam von Horn’s hands, Off the Wall becomes silly putty that is easily malleable and transmuted into a new piece of sonic art.
The new track from Ten Fe is cinematic in scope and sonics. The synth bass is the underpin that sets the spring board for triumphant sound.