The Walkmen - New Years Eve

20 08 2008

This track is taken from their forth studio effort titled, “You & Me”. If you’ve picked up their previous albums, be sure to pick up this release — has more of the crooning, pop, and rock influences you’ve come to love from their previous releases.

Bio from last.fm:

The Walkmen are five New Yorkers who have played rock music since they were 10 years old. All five originally hail from Washington, D.C. where they attended the same high school and played in several bands. Over the years, and in their many ensembles, they’ve experimented with punk, noise, a lot of “garage” sounds, ska, and rock.

After Jonathan Fire*Eater imploded, Walter, Matt, and Paul rounded up enough investors to rent a Harlem industrial space, and convert it into a 24-track analog recording studio. Dubbed “Marcata Recording”, the new space became the birthplace, home, and virtual sixth member of the Walkmen. Joining with ex-Recoys, Walter’s cousin Hamilton and his friend Peter (who had for years been slaving away in the East Village for spots at the Continental and Luna as The Recoys), the lineup was complete by the summer of 2000. Over the course of the next year the band sedulously wrote and recorded late in the evenings after work. It was hot in the summer and cold in the winter. While adjusting to their new space and equipment, the band engaged in much experimentation with sound.

Their first show took place at Joe’s Pub in the East Village in September of 2000. Onto the tiny stage the band lugged an upright piano, a bass cabinet that was taller than the bass player, three amplifiers, an organ, a lap steel, two tape machines, three guitars, and a set of drums. The show was a great success, so they decided to stick together. Since then the boys have remained dedicated to their instrumentation, and even got their hands on an over-sized, rotting upright in London which nearly ruined the trip (one show was on the third floor).

Initial press for their debut EP gave the Walkmen positive reviews but focussed mainly on the former notoriety of three of its members, all of whom played in the much hyped, short-lived Jonathan Fire*Eater. The band began to be judged on their own merit with the release of their debut album, Everybody Who Pretended To Like Me Is Gone (2002).

It was with the release of their second album Bows + Arrows in 2004 that they truly came to the fore, after The Rat received heavy airplay on alternative radio in both the US and the UK.

The Walkmen’s third album, A Hundred Miles Off was released in the US on 23rd May 2006 and in the UK on 26th September 2006.

The band’s influences include, Bruce Springsteen, The Pogues, The Cure, Björk, The Smiths, Joy Division, Neil Young, and New Order. Primarily piano and organ provide the basis for each song, with dashes of a variety of guitars and tapes. The bass holds a steady, booming foundation, and the drums fluctuate from minimal to down right furious. The vocals range from strong and long-held highs to reserved falsettos and lazy lows. The songs can be light and playful, or huge and atmospheric.

The Walkmen - New Years Eve

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Unkle - Can’t Hurt (ft Gavin Clark)

26 07 2008

This track is taken from Unkle’s latest release, “End Titles… Stories for Film”, which was released July 7th in the UK.

myspace info:

End Titles… Stories For Film

This summer sees the return of UNKLE, as they release ‘End Titles… Stories for Film’, a collection of eclectic recordings from UNKLE and various collaborators that were inspired by the moving image in the last two years since War Stories.

For this release, UNKLE have teamed up with Josh Homme (Queens of the Stone Age), Black Mountain, Gavin Clark, Joel Cadbury (South), James Petralli from White Denim, War Stories producer Chris Goss, Dave Bateman and James Griffith, Mike Lowry and Matt Pierce (from UNKLE’s touring band).

Highlights on this new release include ‘Heaven’ and ‘Blade in the Back’ which was featured on Spike Jonze’s skate video ‘Fully Flared’, as well as being the opening and closing tracks from ‘Odyssey in Rome’, a documentary on director Abel Ferrara which UNKLE wrote the entire score for. The release also features the highly anticipated ‘Trouble in Paradise’, a full length version of UNKLE’s track from the BMW commercial that aired in the UK.

‘End Titles… Stories for Film’ will be released on 7th July in the UK and Europe. The North America summer release date will be announced soon.

Track Listing for new LP

End Titles… Stories for Film

1. End Titles
2. Cut Me Loose (feat. Gavin Clark)
3. Ghosts
4. Ghosts (String Reprise)
5. Kaned and Abel
6. Blade in the Back (feat. Gavin Clark)
7. Synthetic Water
8. Chemical (feat. Josh Homme)
9. Nocturnal (feat. Chriss Goss, James Petralli and Robbie Furze)
10. Cut Me Loose (String Reprise)
11. Against the Grain (feat. Gavin Clark)
12. Even Balance
13. Trouble in Paradise (Variation on a Theme)
14. Can’t Hurt (feat. Gavin Clark and Joel Cadbury)
15. 24 Frams
16. In a Broken Dream
17. Clouds (feat. Black Mountain)
18. Black Mass
19. Open Up Your Eyes (feat. Abel Ferrara)
20. Romeo Void
21. Heaven (feat. Gavin Clark)
22. The Piano Echoes

Unkle - Can’t Hurt (ft Gavin Clark)

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Tricky - Far Away

28 06 2008

More of up straight up mellow rock track from Tricky’s latest effort titled, “Knowle West Boy”. I have had this track looping for about an hour now… :)

Bio from last.fm:

Adrian Thaws (born January 27, 1968), better known as Tricky, is an English rapper and musician important in the trip-hop and british music scene (despite loathing the “trip-hop” tag).

He is noted for an asthmatic whispering lyrical style that is half-rapped, half-sung. As a producer and a musician he is known for having an aversion to perfection preferring to build up a dark, rich and layered sound. Culturally, Tricky bridges white and black Britain particularly in his fusion of rock and hip-hop, high art and pop culture. He drew his influences from rap Public Enemy to post-punk (he covered a Siouxsie and the Banshees’s song Tattoo).

Tricky - Far Away

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Ladytron - Ghosts

4 06 2008

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Latest sinlge from Ladytron’s forth coming album called, Velocifero which will be on sale June 3rd. Loving the chorus on this one: “There’s a ghost in me, who wants to say I’m sorry, doesn’t mean I’m sorry” — Superb!

Ladytron - Ghosts

bio from last.fm:

Ladytron’s Biography

Ladytron is a contemporary electropop band based in Liverpool, England. The band takes their name from the song “Ladytron” on the 1972 self-titled debut album of the band Roxy Music.

Ladytron have been classified by press as an electroclash band, but they have never identified themselves with the scene. They said in a recent interview that they consider themselves as “Electronica with a fist”.

Ladytron is notable for not using sampling on their records or in their shows, instead playing everything live using synthesizers and their live performances include live guitar by Daniel Hunt, drums by Keith York and bass guitar by Andrea along with the synthesizers.

Ladytron’s lyrics are of a somewhat obscure nature, mostly dominated by banal images and snippets of everyday life, and sometimes written in Bulgarian by bulgarian band member Mira Aroyo.

Albums so far have focused on a balance between pop structures and a retro sound, and some more experimental leanings. Witching Hour saw a beefing up of their sound, leading the album to be described by Pitchfork as a “quantum leap record”.

Originally, Ladytron were known to perform in monochromatic military uniform-inspired outfits of black or olive drab, lending an edge of simplicity and asexuality to their stage presence.

Since the release of Witching Hour, the band seems to have abandoned military chic in favour of futuristic, Blade Runner-inspired fashions. Marnie and Aroyo have tended to wear futuristic, goth-style dresses while Wu and Hunt wear T-shirts and jeans.

Ladytron is now in Paris, recording their forthcoming album, which is being produced by Vicarious Bliss.

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The Black Ghost - I Want Nothing (extended version)

23 05 2008

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Here’s a little something to kick off the weekend right!

Love the church-esque keyboard sound on this track around the 4:00 minute mark.

Last.fm bio:

Made up of Simon Lord (previously of Simian fame, whose band mates currently make up production duo Simian Mobile Disco), and Theo Keating (previously of The Wiseguys), inspired by producers like Daft Punk and Timbaland combined with Theo’s previous Djing experiences, the Black Ghosts offer a refreshing take on the arguably tired electro-rock genre.

The Black Ghost - I Want Nothing (extended version)

Myspace

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Ghosthustler - Only Me To Trust

16 05 2008

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80’s esque synth lines and a booty shake rhythm make this track.  Ghosthustler is from Dentron, Texas and produces some get up and dance tracks.  However, recently one member from the group has left (Alan Paloma), but Ghosthustler lives on and promises the following:

“With respect to Alan’s decision to leave the band, we’ve axed all the songs with his vocals. Don’t fret though!!! Look forward to our new single that will blow up on the scene in about 2 weeks. -Ghosthustler” (taken from their myspace page)

Ghosthustler - Only Me To Trust

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Van She - Sex City (The Teenagers Remix)

16 05 2008

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Great retro vibe and smooth progressions on this track from Van She.

Bio from last.fm:

Formed in the early part of 05, Van She are a new band from Sydney. Unashamedly taking bits and bobs from 80’s post punk, funk and synth pop, 90’s grunge, French house, film scores, 70’s Krautrock and the latest collection of innovative artists like Tom Vek and M83, Van She are that unique beast that one was beginning to believe no longer existed – a band that takes all these influences from days gone but makes them sound unique, modern, and…. fresh. A lazy pastiche this isn’t.

Van She formed when Nick Routledge [vocals, guitar], Matt Van Schie , Michael Di Francesco and Tomek Archer [drums] all responded to an ad in Sydney’s Drum Media and arrived at an audition for a vocalist for a doom metal band with influences including Sepultura, Entombed, Black Skull and Phil Collins to find the whole thing was a sham. You could call it the result of Satan at work, or you could call it fate.

Since the chance meeting Van She have been playing out and about around Sydney, headlining their own shows and supporting the likes of The Presets and Wolf & Cub.

They’ve also been in the studio, the fruits of which we now see in the shape of a 6 track, self titled EP. Opener Mission acts as a gloomy but punchy entry point into the Van She world, while Kelly is like the epic, lovelorn cousin to The Presets’ Girl And The Sea. Sex City throbs and blips like a restless adolescent, and Survive is the greatest post post punk tune to make use of slap bass. Kelly Reprise blisses out for just a few seconds before Here With You brings us to a beautifully textured, melancholic close.

Van She - Sex City (The Teenagers Remix)

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